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Bye Bye Tsunami

by BYE BYE TSUNAMI

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Pornceptual 02:00
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Proteo 03:54
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Red Bible 03:51
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about

"Operating sans the usual metallic accoutrements—i.e. distorted guitars—Uldis Vitols (bass), Søren Høi (drums) and Lorenzo Colocci (flute, flaubosax, electronics) create chaos with a clashing mix of electronics, percussion and experimental wind instruments. It’s not so much heavy as it is frenetic and primal, in a weirdly futuristic way." - Decibel Magazine

"When a debut release crosses your path with the claim that one of the musicians on it has invented his own new instrument, it seems decent to give it some attention. [...] BYE BYE TSUNAMI are at their best kicking out rock-minded jazz/noise jams with belching clouds of tabletop electronics, along the lines of groups like The Thing or Ultralyd." - The Quietus

"If you want something really weird to mess with your perception of music, BYE BYE TSUNAMI present the most outrageously bizarre record you’ll hear this year. And to be clear, it’s January." - Distorted Sound Magazine

"BYE BYE TSUNAMI's eponymous debut EP could create a new genre type called “future jazz,” with a focus on experimental noise that is not for everyone. In fact, it’s not really for many people, as songs like “J-Pop Love Banana Murder” and “Holdin’ Banana Spiders Through The Folds Of Time/Space” are more of an endurance run than any low-fi black metal in existence." - Heavy Music HQ

"One of the most pleasant surprises in the extreme/experimental music sphere dropped at the very beginning of the year. Hailing from Copenhagen, BYE BYE TSUNAMI encapsulate our age’s chaotic and frenetic spirit in their self-titled EP, released through the ever-fascinating Nefarious Industries… the trio rushes through an exquisite array of sounds and genres. The noise rock of Lightning Bolt is right there, the structures punishing all, but so is a pop sensibility. It is stunning to see how easily they can change from the harsh and relentless to moments of introspective IDM influence or freestyle, mutated folk-infused flutes. And do not even get me started on this self-built instrument of chaos they have created, the entropic flaubosax!" - PopMatters

credits

released January 28, 2022

Catalog ID: NEF-82
nefariousindustries.com/nef-82

Lorenzo Colocci - Flute, Flaubosax, Electronics
Søren Høi - Drums
Uldis Vitols - Bass
Praytell - Voice
Marco Colocci - Mix

Recorded in Copenhagen, September 2020

℗ & © 2021 Nefarious Industries.

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tags

about

BYE BYE TSUNAMI Berlin, Germany

Meth-metal, post-mental. Future Jazz from planet 無

Disrupted rhythms, entropic noise, heartbreaking cyborg screams, scavenging the remnants of a future no one wished for to define a new era of post-real.

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